PDF Download Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema
PDF Download Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema
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Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema
PDF Download Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema
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Review
"Maya Montañez Smukler’s Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema is an exciting and topical examination of a transformative group of female filmmakers whose stories and struggles have too often been forgotten. At once an eye-opening analysis and a significant contribution to feminist film scholarship, Liberating Hollywood persuasively challenges the received wisdom about a period of American cinema (the so-called time of Easy Riders and Raging Bulls) in which women are routinely banished to the margins. As Smukler demonstrates, women were always there – making movies, good trouble and American history." (Manohla Dargis film critic for The New York Times)“A counterintuitive feminist history of the new Hollywood that convincingly challenges widely held assumptions about the boys’ club movie brat auteur renaissance. In Liberating Hollywood, Maya Montanez Smukler is remarkably attentive to the industrial as well as sociopolitical histories that made such a new women’s cinema and such a suddenly liberated Hollywood possible.” (Jon Lewis author of Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles)"Both long overdue and coming right on time, Liberating Hollywood richly expands our understanding of Hollywood filmmaking in the 1970s. Expertly researched with stories from those who were there, Maya Montañez Smukler’s book tells the stories of female directors working in Hollywood in the 1970s and fighting for their rights as mediamakers." (Miranda Banks author of The Writers: A History of American Screenwriters and Their Guild)"100 Women, One Hotel, and the Weekend Retreat That Presaged Time’s Up By 18 Years" by Cari Beauchamp (Vanity Fair)"Smukler sees the increase of independently produced features in the ’80s as a turning point for women no longer at the mercy of a slow-moving studio system. She’s right, though working independently puts the onus of proving artistic and commercial viability directly on individual artists’ shoulders, dependent on a world of potentially prejudiced funders with no centralized power to reform, however incrementally. That said, it’s impossible to read Liberating Hollywood and not recognize the progress that has been made, even though too much remains sadly familiar. It’s still rough out there, but histories like these keep me moving forward." (Film Comment)"How the 1970s Marked a Turning Point for Women Directors in Hollywood" by Dan Schindel (Hyperallergic)"Highly recommended." (Choice)
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About the Author
MAYA MONTAÑEZ. SMUKLER has worked as a research specialist for UCLA’s Film and Television Archive and is currently conducting oral histories for the visual history program at the Academy of Motion Picture Arts and Science. She is an associate teaching professor in the School of Media Studies at The New School in New York. Her audio commentary is available on the Blu-ray of Elaine May’s film A New Leaf.
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Product details
Paperback: 364 pages
Publisher: Rutgers University Press; None edition (December 14, 2018)
Language: English
ISBN-10: 0813587476
ISBN-13: 978-0813587479
Product Dimensions:
6 x 1 x 9 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#639,875 in Books (See Top 100 in Books)
While I watched many movies during the 1970's, I was not especially aware of the fact that very few were directed by women. Who knew? Liberating Hollywood brings out a chapter in film history that is necessary in understanding the evolution of modern cinema.As someone interested in the legal system’s application to inequities based on gender, the analysis of why the law was unable to address the numerical anomaly of 163 female to 4,127 male members of the Director's Guild was enlightening.It seems that a perfect storm of an unsympathetic judge, conflicted attorneys and the peculiar nature of the directing profession conspired to deny a just legal solution. During those years, while women firefighters and longshore-people among others obtained equal access to their professions, women directors did not.One would have thought that a liberal place like Hollywood, would have been a champion of this movement, but this book proves, it fell short. Many other reasons for this failure are explored, but I found the legal explanation especially compelling. In general, this was a good look at the lack of women directors, especially from the point of view of the women directors themselves.I’m sure the research that went into this book began long prior to the #metoo era, but it is a great slice of history showing how woman directors coped in a hostile environment.
This is a must-read book for media studies students and film aficionados who want a more complete history of the "New Hollywood" movement of 1970s cinema. The historical record is generously filled in this well-researched volume of previously over-looked directors. Their films and the context in which each of them got made tell important stories about the dramatic changes afoot as the cultural and social movements exploded in that era.
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