Get Free Ebook Studies in Words (Canto Classics)
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Studies in Words (Canto Classics)
Get Free Ebook Studies in Words (Canto Classics)
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Review
..."a brilliant book addressed to students and to lay people alike, unbaffling, deeply informative, and timelessly persuasive." Robert Burchfield, Editor of the Oxford English Dictionary'... a brilliant book addressed to students and to lay people alike and timelessly persuasive.' Robert Burchfield'Rarely is so much learning displayed with so much grace and charm. My only regret is that the book was not twice as long.' New York Times Book Review"Rarely is so much learning displayed with so much grace and charm. My only regret is that the book was not twice as long." The New York Times Book Review.,."a brilliant book addressed to students and to lay people alike, unbaffling, deeply informative, and timelessly persuasive." Robert Burchfield, Editor of the Oxford English Dictionary."..a brilliant book addressed to students and to lay people alike, unbaffling, deeply informative, and timelessly persuasive." Robert Burchfield, Editor of the Oxford English Dictionary
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Book Description
Language - in its communicative and playful functions, its literary formations and its shifting meanings - is a perennially fascinating topic. C. S. Lewis's Studies in Words explores this fascination by taking a series of words and teasing out their connotations using examples from a vast range of English literature.
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Product details
Series: Canto Classics
Paperback: 352 pages
Publisher: Cambridge University Press; 2 edition (November 11, 2013)
Language: English
ISBN-10: 1107688655
ISBN-13: 978-1107688650
Product Dimensions:
5.5 x 0.8 x 8.5 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
18 customer reviews
Amazon Best Sellers Rank:
#145,824 in Books (See Top 100 in Books)
This is a brilliant study of words and the way their meanings change over time. Lewis selects ten words (or more accurately, nine words and one phrase) to undergo his scrutiny. One might wonder why he narrowed his list to these particular words, but I suspect that Lewis believed that these words were particularly important and their shifts in meaning significant in the history of language, at least up to his time. Lewis unpacks the historical development of each word and reveals a complexity that often leads to misunderstanding. What we mean when we speak or write a particular word may not be the meaning that the listener or reader brings from his or her experience. His concluding chapter deals with the use of language in literary criticism, but it has a broader application. His point seems to be that the words we use to criticize say more about us and our understanding (or lack of understanding) of words than they do about the person we are criticizing. This is a thought-provoking work.
One of those little unexpected treasures of a book. It's a shame that Lewis is known primarily as a Christian apologist, because (it seems to me) he was so much more comfortable writing for an academic audience. I first happened upon this lovely little volume when I was reading Aristotle, which is just an enormous task in itself. I should say here that I am of course a big fan of Lewis' apologetic works, as well as his allegory and fiction. And I am a big fan of etymology (the study of word origins). To study words for the mere enjoyment would probably have displeased the Oxford don; I don't think this work was meant for that (but by golly it is wonderful for that). Instead, he traced the meaning of several key historical words--such as "nature," from whose limbs almost all of the debate about science comes into being, or "world," which has vast political dimensions in today's milieu. It is really kind of a primer for his students, so they can catch up with where he's at with having read so much over his lifetime. If you love language, literature, medieval history (his specialty), or just getting some perspective on the modern world, this is a book that will truly blow your mind. I hope you enjoy.
As in his other works on Medieval literature, Lewis here displays a breathtaking range of learning and scholarship. The endless hours which he must have spent hunched over his desk, his pipe in his mouth, poring over volumes of Latin and Anglo-Saxon poetry, are more clearly evident in a book like this than any biographer could make them. It's more than a little intimidating to realize just how much one hasn't read.The strongest impression that this book has left on me is of how carefully and thoughtfully Lewis must have approached his reading. I suspect I am myself one of those who imposes the "dangerous sense" (i.e., the modern sense) onto a word when I encounter it in earlier literature, without recognizing that the meaning the author intended would have been subtly different. And it is precisely those times when the difference is most subtle that the difference is the most dangerous. I found myself somewhat exhausted by the immense range of literature from which Lewis drew his examples. Finding examples of "life" in the works of George Bernard Shaw or G. K. Chesterton probably wasn't difficult; but he quotes just as freely from Rider Haggard, Coleridge, Chaucer, Spenser, Hobbes, Ovid, Lucretius, Seneca, Plato and Aristotle -- as well as writers and works I'd never heard of before. What's most depressing is that I couldn't have pulled these sorts of examples even out of the writers that I have read. Oh well. We can't all be geniuses.The book also challenged me to be more precise in my writing. Several times, as Lewis marched inexorably through the millennia, tracing a word from Homer to Chesterton, I was reminded of those occasions when Lewis describes "The Great Knock" (William Kirkpatrick), Lewis' early tutor, trapping a covey of female bridge players, "begging them to clarify their terms". Lewis' own writing was unusually strong and clear, even in passages markedly beref of stylistic adornments. I suspect that this was largely the result of his careful and precise use of words: never saying more or less than what he meant, never throwing in a word just for effect, and always clearly aware of the precise effect that his chosen words would have.As is often the case, I enjoyed the opening and concluding essays the most. The chapter on "Life" was probably the most polemic -- but even there, only subtly so -- and probably for that reason the most interesting. The other essays, on "wit", "free", "nature", "simple", "sense" and "world", for instance, were interesting and informative, but not helpful in the sense that I'll likely find a use for their content. Again, it makes all the difference whether you're a medieval scholar or just a Lewis fan.
Like one other reviewer, I bought this in a continuing attempt to read everything he wrote. Unlike so many of his other works, this is not theological, it is not inspirational, it is not devotional; it's pure philology and needs to be read as such.The one "philosophical" point that I came away with is that words change. Just 'cause it's "not in the dictionary" now, doesn't mean it won't be. Neologisms are always welcome here, so I no longer feel "nyeculturny" in using the word read as a noun. This ties in with what my readings in Church history have shown: theology, the "God words" that we have now came about as a result of a very often long process of change.
Lewis has a curiosity about words and language that I find engaging. Maybe I like this book because I've often found myself focusing on the etymology of words in the dictionary and then doing the same for synonyms of those words. I've done the same with Spanish and Greek words. I like to look for new applications and meanings of familiar words. I like writers who use familiar words in unfamiliar ways to evoke fresh metaphors and connotations. Lewis has a similar fascination with the ways words can be used. It's enchanting to follow his thinking in this book. I can almost imagine sitting in a pub with him and listening to him talk.
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